Sujet Belle gratte land

http://elkweb.up.seesaa.net/image/Ricken450.jpg

Je trouve la Rickenbacker 450 à tomber. Malheureusement elle est n'est plus produite....

Donc doit couter une petite fortune.

A6 Tuning:

This is a very popular tuning, used by Herb Remington among others. I'm using this currently on my Fender Deluxe 8 and find it very useful; it's similar to the open A tuning discussed above, but with the added 6th note (F#) allowing use of minor chords and sixth intervals.

C6/Am7 Tuning:

This is an extension of the C6/Am7 tuning listed above in the six string tunings. The addition of an A to the bass and a G to the treble seems to center this tuning around A rather than around C, as on the six string version.

E13 Tuning: (as used by Leon McAuliffe)

Bob says, "I'm using this tuning currently on my eight-string Fender Deluxe. This tuning allows me to play sixths up and down a scale with practically no slanting."

Andrew says, "It's basically the Jerry Byrd C6/A7 tuning with an added high G on the top string to make more third intervals accessible without too much neck motion. It also gives more options for those high sweet tones that I hear so much of in the older country music that I like to play."

Bobby Black's C6/A7 tuning:

According to Cartwright Thompson, "I got this one from Bobby Black, he said he got it from Joaquin Murphey. The cool thing here is that the bottom B string is tuned an octave higher (1/2 step below the second string). So you have the Jerry Byrd C6/A7 on the top 7, but you can grab the bottom string for a very pretty major 7th, and you get a nice "strummable" A9th chord on the bottom 5 strings."

Bob Quasar's D13 tuning:

The top E is tuned between the third string (D) and the second string (F#). This allows a four-note pattern to be played by picking alternately on the C# D E F# strings. I can see how this would be very useful in certain situations.

Michael McClellan's G13 tuning:

Michael McClellan writes:

John Coltrane got me into it! This does wild things to "Sand" (the Hawaiian instrumental), "Misty" (Errol Gardner's classic), some polkas, and many country beer-drinkers. I pull a string behind the steel with my left hand ring finger, and can get some of the pedal-steel effects while still keeping the Dobro® purity. Using this trick, I can make a weird part of tlhe 13th into a normal major chord. The G13 gives me inversions of a 7th, a 9th, a 6th, a Major 7th, an 11th, and a minor. It gives a real 13th, from root to treble, which the other 13ths don't. When you end a song on this chord, folk sit up and listen!

Pete Grant's D tuning:

This tuning has the second and third notes of the D scale on the top two strings. Pete wrote this about it on the Steel Guitar Forum:

When I had National Reso-Phonic build me an 8-string Model D, it was for the express purpose of allowing me to play Irish traditional music in a more competent manner. After trying all kinds of tunings, I came up with D tuning with a 2 and a 3 of the scale on top. It turned out to be just what I'd been looking for.