Jean michel jarre grillé/cramé/t'a les boules, t'a les glandes, t'a les crottes de nez qui pendent

Je ne dis pas que c'est bien ou mal hein, mais Oxygène, Rendez-vous, c'est plus proche de l'easy listening donc hyper tonal, que de l'atonalité ou de la musique bruitiste.

Merci de bien vouloir signaler le nouveau lien ...

Elektron: You have quite some musical background. Back in the days you studied for Pierre Schaeffer, a man that is regarded as the founding father of Musique Concrète. What impact did his teachings have on you?

JMJ: He changed my both my life and my perception of music. I studied three years for him as a part of Groupe de Recherche Musicale, or GRM. He taught me that music is not only made by notes or chords, but out of sounds. The difference between noise and a musical sound lies only in the hand or gesture of the artist or musician.

Elektron: You also studied for another legendary musician – Karl-Heinz Stockhausen. How was that?

JMJ: From Stockhausen I learned, in a modern way, about the idea of relation between time and space within music. He also passed on his knowledge about the subtleties of mixing frequencies, how to combine very raw frequencies with complex textures. You could say he told me about composition concepts. In many regards Schaeffer and Stockhausen were the opposites of each other so the combination of their teachings was invaluable.