Les questions auxquelles on n'a pas les réponses mais un AFien peut les avoir

Je ne peux pas te dire où exactement (je suis au boulot là)
En fait ce qu'il utilise c'est un genre de pédale de volume controlée en soufflant dans un tuyau. Je crois qu'il voulait reproduire le son d'un saxo avec ce truc

http://bedroomproducersblog.com/2011/07/25/bpb-freeware-studio-best-free-pitch-correction-auto-tune-vstau-plugins/

Citation :

Je ne peux pas te dire où exactement (je suis au boulot là)
En fait ce qu'il utilise c'est un genre de pédale de volume controlée en soufflant dans un tuyau. Je crois qu'il voulait reproduire le son d'un saxo avec ce truc

Talk box. Inventé par Bob Heil et rendu celebre par Peter Frampton dans les années 70.
Explication par peter frampton. á partir de 7mn plus pratique

Fredrik utilizes a unique device for his leads, referred to as the MIDI breath controller. He states "I was mainly interested in using it as a dynamics controller. I wanted to start a note at a lower volume and then bring it up, like a saxophonist does. But I've since found that is more or less impossible with a guitar. Since the controller didn't produce the sound I was after, I had to find other ways of using it. It turned out that the only thing that sounded cool was when I blew every single note with it, which generated this weird staccato sound. The first breath controller we made—the one I used on "Future Breed Machine" and "Sublevels" from Destroy Erase Improve—could only control the volume. So Johan Haake and I tried all kinds of things to get closer to what I originally wanted, like adding control over frequencies and distortion. I am really pleased with how the "Missing Time" solo turned out from Sol Niger Within Version 3.33 [the remix CD of the debut album from his side project Fredrik Thordendal's Special Defects]. But I never thought we got close enough, so I sort of gave up on it. A couple of years ago it was for sale to the public, but not any more".