Citation : Pour un stud pro c'est mieux d'avoir plein de trucs nan?
bien sur
il parait qu'en belgique on a de tres bon studio d'enregistrement a bruxelles
j'ecoutai le chanteur "M"(mathieu chedid) qui disait que dans un studio a bruxelles (je ne sais plus le quel)
tout le materiel etait dans des tiroires
et qu'il suffisais de demander "tel pedales ou tel amplis,ect ect ect )
et bing armoire numero trala tralala et voila monsieur "M"
Citation : Despite the fact that there's so much vintage gear in here, Philip is keen to emphasise that "this isn't a collection — it's a studio. In a collection, you would probably aim to have one of everything. But in here, for example, there isn't an EDP Wasp. That's because, personally, I don't like the sound of the Wasp. I think you can make better sounds with other devices. Everything is here for its sonic merits, not its rarity. Also, we only install instruments that are fully working, because the studio isn't a sort of storage area or a museum. Everything in the studio must be working, more or less perfectly. I'd love to bring the old Polymoog up but it's just not very reliable."
« What is full of redundancy or formula is predictably boring. What is free of all structure or discipline is randomly boring. In between lies art. » (Wendy Carlos)