Live 5!

Citation : franchement darta, t'es un user de base, ok, tu comptes sur eux comme sur dieu pour te servir l'outil que tu utilisent, ok, mais c'ets TON probleme, jette un oeil sur les forums de kvr ou d'abletons, tu verras qu'on est quelques uns a discuter au sujets des fonctionnalités, a pas hesiter a critiquer ou a comparer

Citation : J'ai pas encore essayé avec Reaktor, mais en tout cas , ça marche parfaitement avec la boite à rythmes Microtonic, avec laquelle je pilote le Waldorf Attack........excellentissime nouvelle fonction pour Live 5!!

Hors sujet :

Citation : deb, avec live 5, on peut router la sortie midi des plug ins, donc utiliser ext comme arpegiateur pour alimenter un synthé dans live....

Hors sujet :

Citation : "I'm a big fan of alternative ways of doing things," says Vernon Reid with his characteristic understatement. The pioneering guitarist has pretty much made innovation his stock in trade, from his early days in Ronald Shannon Jackson's punk-funk Decoding Society, to fronting the Grammy-winning rock band Living Color, Reid's eclectic list of collaborations range from musicians like Carlos Santana and West African singer Salif Keita, to choreographers like Donald Byrd and Bill T. Jones.

Since releasing his own solo album, the critically acclaimed Mistaken Identity in 1996, Reid has continually explored a vast range of alternatives, including scoring the Charles Stone III film Paid in Full, producing albums by Keita, Mexican rockers Resorté, and free-form guitar legend James "Blood" Ulmer. All this while also lending his time and talents to a children's program for the Brooklyn Academy of Music called Bring Your Beats.

Presently Reid is working with the reunited Living Color and composing new material using his laptop and Mackie Tracktion music production software.

"Tracktion's really cool," he remarks. "I've used lots of different programs, and all of them have a great list of features. But what's interesting is that, as music software's capabilities are advancing, their interfaces are becoming more and more complex. You can do a lot of things but it's becoming more and more difficult to maneuver and find what you want. I try to spend time learning all the new features, but in the meantime I've got music I have to make. What I like about Tracktion is that it's really immediate. Most other programs make me relearn my workflow with every major upgrade - that's tough when you've gotten used to a certain way of working. With Tracktion, everything's right there. And it's got an extensive amount of help, so I never get bogged down having to stop and look things up. I can work on the music and not get caught up in the method."

Reid is also a big fan of Tracktion's extensive feature set. "The loop record mode is great for trying out ideas, and the bussing is quick and intuitive. And it's great to be able to build a stack of instruments by just clicking and dragging them into the rack. And I love the fact that it's got built-in Quicktime support. I literally scored an indie horror film with it, in conjunction with (Ableton) Live, thanks to the built-in ReWire support. "

Citation : Dans mon exempe d'arpeggiateur, j'évoquais celui d'XT, réalisé sur un soft, et comme le dirait Sil/Sic, par une seule personne, qui vaut que 39 euros. Un arpeggiateur qui me donne entière satisfaction et que je souhaiterais donc qu'il puisse être implanté sur Live5.

Citation : et une meilleure gestion pour rearanger les "slices"(je ny ai encore rien compris j'y vais au hazard)!!!

Citation : continuez à parler des autres softs.