Synthés dans la variété internationale dans les années 70 et 80.
- 6 541 réponses
- 106 participants
- 329 955 vues
- 162 followers
Afficher le sujet de la discussion
Honnêtement, même si nous rêvons tous du retour d’Alan, je n’y crois pas trop.
Tous ceux qui connaissent la carrière du groupe savent que ce dernier ne s’entendait pas très bien avec Fletch. Avec sa disparition, peut être trouveront ils ça malvenu…
Bon celà dit, je ne croyais pas qu’ils retourneraient en studio, surtout si vite.
Donc, mon avis, hein…
Et une fois de plus, certains vont se plaindre que le sujet se transforme en "DM, leurs vies, leurs oeuvres, et le reste aussi "
Voilà, qu'est-ce que je disais !
Prout!!!!
vilak
3971
Squatteur·euse d’AF
Membre depuis 7 ans
Coramel
6523
Modérateur·trice généraliste
Membre depuis 22 ans
Citation de vilak :
Bon c'est confirmé, les deux DM sont en studio.
https://www.rtbf.be/article/depeche-mode-de-retour-en-studio-apres-le-deces-dandy-fletcher-11048694?fbclid=IwAR1FYjMC3pGpd46vNdiXqM4BzgRuKn56YK_yjeZ9yMaKiNiRsAJgiKu4gcw
Vont-ils/ont-ils appelé Qui-il-faut???? Mystère...
Honnêtement, même si nous rêvons tous du retour d’Alan, je n’y crois pas trop.
Tous ceux qui connaissent la carrière du groupe savent que ce dernier ne s’entendait pas très bien avec Fletch. Avec sa disparition, peut être trouveront ils ça malvenu…
Bon celà dit, je ne croyais pas qu’ils retourneraient en studio, surtout si vite.
Donc, mon avis, hein…
Et une fois de plus, certains vont se plaindre que le sujet se transforme en "DM, leurs vies, leurs oeuvres, et le reste aussi "
Coramel
6523
Modérateur·trice généraliste
Membre depuis 22 ans
Coramel
6523
Modérateur·trice généraliste
Membre depuis 22 ans
Et merci pour le partage ausujet de OMD
Coramel
6523
Modérateur·trice généraliste
Membre depuis 22 ans
Coramel
6523
Modérateur·trice généraliste
Membre depuis 22 ans
J’allais oublier. 
La chronique de l’album de Can, ‘Incandescence’.
Un peu plus d’erreurs de transcription que celle de S&S, mais ça se lit bien.
Incandescence
by Can
Virgin Records OVED 3
Your opinion of Can will vary
according to which of their
records you have heard. Always,
seemingly working on the fringes of
whatever ’type' of music they were
into at the time. their explorations
have run them through the gamut of
rock, heavy metal, disco and experi-
mental electronic music.
This album is a compilation of
tracks from their previous albums
and it runs the gamut quite suc-
cessfully. It is an amalgum rather
than a fusion of styles. My first
reaction was 'different: my second
was `interesting’ and all the time I
knew that I was liking what I was
hearing
Track one. I Want More' was a hit
single around 1976 but it has all the
ingredients of modern electro pop
music: a catchy tune and short
melodic rifts on the synthesiser
reminiscent of Orchestral Manoeuvres
although Can came firs:. It would de
interesting to see this re-released as a
single again.
`Full Moon on the Highway’
screeches into HM/rock mien over-
driven guilar and a rhythm pushing
out a solid four to the bar. Just as you
have worked out the style, severely
treased vocals push you into the
realm or experimental electro-rock
Heavy vocoders!
'Gomorrah’ (1973) was orignally
the theme trom a German TV series
An instrumental, lyrical in construc-
tion and electronic in nature. it Flows
and rings from beginning to end.
Synth, gutar and the lighter elemenes
of the drum kit phase trom one layer
Of sound of the next.
"Hunters and Collectors" could
possibly be described as rock. Drums
busy playing 16ths: the themes are
excursions into electronic sounds
and catchy riffs drift in and out of the
vocal.
‘The Empress and the Ukraine
King’ is one of the earliest tracks.from
1969. and begins in a funky mood
with a guitar riff which runs. almost
continuously, through the song. The
drums bongo in the background with
Latin accenes on the cymbals. Guitars
fills are sustained chords and a manic
saxophone falls in for the closing
bars. It sathers out like a dyng cat
taking the song with it
On side two. 'Mother Upduff', also
from 1969. plasters a violent. insis
tent rhythm track across the speakers
while a voice relates the sorry story of
Mother Upduff who is puled into the
Water by a giant octopus while on
holiday. wrapped in a tert. put on top
of a car which is subsequently stolen
and. one presumes. never heard from
again. Draw your own conclusions
‘Call Me' drifts in through a wall of
wind with guilar, synth and drums
forming atrocious combinations
which shouldn’t work but do. HM fils
on guitar, Tangerine Dream bass riffs,
layers of synth - all form a fascinat-
ing collage.
’Half Past One’ has a sightly
eastern flavour with fat organ/synth
notes bubbling up and down the scale
while acoustic guitar twangs add an
ethnic feel
’Laugh Till You Cry…Live Till You
Die' is reggae. The guilar. synth and
drums fill in the gaps the others leave.
The final track, E F.S. No. 36' is a
short blues for piano and sax (accord
ing to the cover notes) but the sax
sounds more like a trumbet. Il walls
and wahs throughout Quise tongue in
check. Play il again. Can.
The tracks are stylishly diverse but
similar elements of technique and
sound are evident throughout. None
of the tracks sound out of place and
the whole album is a total Iistening
experience
lan Waugh
—-
Je referai peut être celle de Simple Minds. Sur les deux dernières, j’ai édité l’image en ajoutant du contraste et de la netteté. L’algorithme s’en sort mieux ainsi.
La chronique de l’album de Can, ‘Incandescence’.
Un peu plus d’erreurs de transcription que celle de S&S, mais ça se lit bien.
Incandescence
by Can
Virgin Records OVED 3
Your opinion of Can will vary
according to which of their
records you have heard. Always,
seemingly working on the fringes of
whatever ’type' of music they were
into at the time. their explorations
have run them through the gamut of
rock, heavy metal, disco and experi-
mental electronic music.
This album is a compilation of
tracks from their previous albums
and it runs the gamut quite suc-
cessfully. It is an amalgum rather
than a fusion of styles. My first
reaction was 'different: my second
was `interesting’ and all the time I
knew that I was liking what I was
hearing
Track one. I Want More' was a hit
single around 1976 but it has all the
ingredients of modern electro pop
music: a catchy tune and short
melodic rifts on the synthesiser
reminiscent of Orchestral Manoeuvres
although Can came firs:. It would de
interesting to see this re-released as a
single again.
`Full Moon on the Highway’
screeches into HM/rock mien over-
driven guilar and a rhythm pushing
out a solid four to the bar. Just as you
have worked out the style, severely
treased vocals push you into the
realm or experimental electro-rock
Heavy vocoders!
'Gomorrah’ (1973) was orignally
the theme trom a German TV series
An instrumental, lyrical in construc-
tion and electronic in nature. it Flows
and rings from beginning to end.
Synth, gutar and the lighter elemenes
of the drum kit phase trom one layer
Of sound of the next.
"Hunters and Collectors" could
possibly be described as rock. Drums
busy playing 16ths: the themes are
excursions into electronic sounds
and catchy riffs drift in and out of the
vocal.
‘The Empress and the Ukraine
King’ is one of the earliest tracks.from
1969. and begins in a funky mood
with a guitar riff which runs. almost
continuously, through the song. The
drums bongo in the background with
Latin accenes on the cymbals. Guitars
fills are sustained chords and a manic
saxophone falls in for the closing
bars. It sathers out like a dyng cat
taking the song with it
On side two. 'Mother Upduff', also
from 1969. plasters a violent. insis
tent rhythm track across the speakers
while a voice relates the sorry story of
Mother Upduff who is puled into the
Water by a giant octopus while on
holiday. wrapped in a tert. put on top
of a car which is subsequently stolen
and. one presumes. never heard from
again. Draw your own conclusions
‘Call Me' drifts in through a wall of
wind with guilar, synth and drums
forming atrocious combinations
which shouldn’t work but do. HM fils
on guitar, Tangerine Dream bass riffs,
layers of synth - all form a fascinat-
ing collage.
’Half Past One’ has a sightly
eastern flavour with fat organ/synth
notes bubbling up and down the scale
while acoustic guitar twangs add an
ethnic feel
’Laugh Till You Cry…Live Till You
Die' is reggae. The guilar. synth and
drums fill in the gaps the others leave.
The final track, E F.S. No. 36' is a
short blues for piano and sax (accord
ing to the cover notes) but the sax
sounds more like a trumbet. Il walls
and wahs throughout Quise tongue in
check. Play il again. Can.
The tracks are stylishly diverse but
similar elements of technique and
sound are evident throughout. None
of the tracks sound out of place and
the whole album is a total Iistening
experience
lan Waugh
—-
Je referai peut être celle de Simple Minds. Sur les deux dernières, j’ai édité l’image en ajoutant du contraste et de la netteté. L’algorithme s’en sort mieux ainsi.
vilak
3971
Squatteur·euse d’AF
Membre depuis 7 ans
Pour Alan, d'accord avec toi, mais on peut pas s'empecher d'en parler je crois...
Merci pour les 'pix to text", ça ne peux qu’intéresser les gens qui ne veulent pas s'esquinter les yeux donc oui si tu veux continuer, c'est un gros "voui monsieur".
Tiens j'ai une page sur Ultravox de janvier 83, toujours scannée d'un "E&MM".
Là la police est assez grosse, pas de soucis pour lire.
Mais si vous voulez le fichier HTML, c'est là, y a des partitions du single "Hymn" en plus :
https://www.muzines.co.uk/articles/hymn/5867
Merci pour les 'pix to text", ça ne peux qu’intéresser les gens qui ne veulent pas s'esquinter les yeux donc oui si tu veux continuer, c'est un gros "voui monsieur".
Tiens j'ai une page sur Ultravox de janvier 83, toujours scannée d'un "E&MM".
Là la police est assez grosse, pas de soucis pour lire.
Mais si vous voulez le fichier HTML, c'est là, y a des partitions du single "Hymn" en plus :
https://www.muzines.co.uk/articles/hymn/5867
Coramel
6523
Modérateur·trice généraliste
Membre depuis 22 ans
kosmix
46307
Ma vie est un thread...
Membre depuis 19 ans
Citation :
Depeche Mode, the Synthi-pop band
Voilà, qu'est-ce que je disais !
Putain Walter mais qu'est-ce que le Vietnam vient foutre là-dedans ?
vilak
3971
Squatteur·euse d’AF
Membre depuis 7 ans
Citation de kosmix :
Citation :Depeche Mode, the Synthi-pop band
Voilà, qu'est-ce que je disais !
Prout!!!!
- < Liste des sujets
- Charte