Sujet Les gri-gris en Hi-Fi

Ah zut la complexité technologique de ce remarquable appareil m'échappe manifestement

We will always use the listening experience as the true measure of musical success. If we can then calculate the reasons as to what and why, so much the better, but that is actually far less important.

We at Entreq trust more what we hear and experience than what the gauges tell us. If this sounds better than anything else, then it is, no matter how it measure. It is that simple, even if you perhaps not can explain it scientifically.
What we mean is that we sometimes dont know what to meassure and what make sence.
And for you who say everything can be messured, could you kindly inform us of how you exactly measure the speed of an object in motion ?

The flow, the speed, the lightness, the punch, the joy, the musicality is what users answer when we ask them point out what they value most with Infinity line. “Something you can´t get with any other gear” use to be the conclusion.

No matter how good the Router, DAC, other hardware and software I used, the result was kindly said bad or even worse. In my opinion it sounded lifeless, dead, sticky and without any flow. As my wife say “ a wall of sound, but definitive not music”.

I had no idea the potential of the Entreq until I invested in an entire grounding system. I had no idea what the Entreq Grounding system was capable of until I owned the entire system. That includes the Silver Minimus $729 Silver Tellus $2,699, Olympus Minimus $2,599, Olympus Tellus $8,999, Poseidon $4,999 now add in a pair of Silver Cleanus $3140, to pair with an Entreq Challenger 3V Powerus $5,500 and Apollo Powerus $9,700 all paired with Entreq grounding cables (various prices) makes my system sound as though it’s running without any electricity at all. The Entreq removes just about all the electronic properties from my system and makes it perform like it’s powered by batteries. Very lifelike and realistic. The entire system is expensive, however, taking it one step at a time will be worth the price of it all.

For us a clean and effective ground point is one of the most important factor's in ensuring the best possible sonic platform for any hifi system!
We normally say 220V 50Hz alternative110 V 60Hz. But in our opinion there are a lot more frequence on the power net. These is caused by the way we connect zero and protective ground together in the main central/fuse boxes.Most things these days run on electricity. Current goes in and current goes out of devices and lighting fixtures of every kind. All of these make the current messy. Not least computers with their switched power units, chargers for e.g., mobile telephones, all the halogen and LED lighting, dimmers etc. all cause a great deal of high-frequency noise and stay voltages. This noise always seeks the easiest path to the earth. And since this can be everything from 50-60 Hz to very high-frequency, but weak, currents, it is not always certain that the path of least resistance is via the protective earth. These currents instead can find dishwashers, laundry machines, counter tops with water pipes, your HiFi rack and your stereo set with all the cables and devices as more attractive paths to the earth. Moreover, these stay voltages often generate very large magnetic fields that absolutely have influence on the sound reproduction.
One big problem is that the protective ground many time are overloaded or not constructed for handle this pollutions. It can handle a real "bang" of 110-220Volt and X Watts without any problems, but when it come to this small currents of some Milli V with very high frequence it dont catch them. So instead these will flow arround in the power system searching for a place to ground. And in fact the protective grond can leak back a lot of pollutions to the power net that instead go to f,ex your HiFi system with all the cables and magnetic fields and load up and rest there in their serch for ground.Our ground boxes / Eartha cables are designed to resemble and work like a bit of Mother Earth in concentrated form and offer the simplest and fastest route for this high-frequency noise to reach a earth point. Since such are very high-frequency weak currents, it is not necessary to have a lot of mass; but it is important that the cables are optimized for these high frequency and the groundbox be a purely attractive earth point.The construction and choice of materials in the earth box has a crucial effect on the result. In part, the minerals and metals involved have an effect, but the relationship of proportion and distance between them also affects the result.

When you connect your system to one of our groundboxes you offer this high frequence stay voltages a ground point where they can find peace instead of flowing arround in the system.

J'adore le discours d'entreq : "quand on conçoit nos merdes produits on se fout des mesures et de la technologie la seule chose qui compte c'est que ça sonne bien"

comment ils font pour concevoir leurs bidules sans aucune mesure et en ignorant totalement la technique pure, ils branchent au pif tous les trucs qui leurs tombent sous la main et écoutent ce que ça donne ?

Enfin pas si simple j'imagine vu qu'ils prétendent mettre 8 ans pour concevoir l'étagère en mélaminé ultime pour la hifi, mais bon

Attention, toutes les pierres ne "sonnent" pas de la même manière. De par sa structure granulaire aléatoire, le granit Bleu du Hainaut utilisé présente certains gros avantages comme l'absence totale de vibrations dans le grave (et ça s'entend !) et une inertie très élevée qui constitue une référence mécanique quasi idéale pour une membrane de hp. Sur S'Tone Blue, la masse mobile du petit large bande est de 2 grammes, la masse totale de l'enceinte est d'environ 15 kg. Le hp joue enfin seul et restitue les moindres inflexions sonores sans aucune intermodulation de la caisse.