Le Pub d'AutoProd & Business (Ex - marché du disque c'est la cata!)

et on voit ainsi de petits artistes dans l'electro par exemple (qui donc arrivent a faire leur sauce a la maison pour sortir un produit finis seul) se faire de l'argent de poche sur beaport assez facilement. Quand ça plait. Mais quelle chance on a déjà de pouvoir tester ses auditeurs comme ça !!!

Je suis d'accord mais d'une part c'est spécifique à l'electro de pouvoir produire à frais très réduits tout en conservant une bonne qualité technique.

Un lien vers un site et un gif très instructif sur les moyens de rémunération de la musique au fil du temps, entre 1983 et 2014.

https://www.vox.com/xpress/2014/8/24/6062665/how-weve-paid-for-music-from-1983-to-today-in-one-gif?utm_content=bufferfd587&utm_medium=social&utm_source=twitter.com&utm_campaign=buffer

This explosion of vitriol illustrates the absurd standard America holds artists to. It’s a dangerous, impossible standard that is repressing self-expression and killing culture. It’s not dissimilar in impact to the political arguments that keep so many living in poverty by voting against their own interests for politicians who take away services that were at least intended to make the middle class accessible to all. The American artist is expected to be both a saint and a martyr. Operate outside the capitalist system and we’ll praise you for your creations, call your poverty a quaint kind of martyrdom that has nothing to do with us, and at the same time resent you for being holier than thou. Try to operate within the capitalist system and we’ll call you out as an imposter.

Instead of acting with business acumen, artists are supposed to be the ultimate saints and martyrs. “We love your music,” the public seems to be saying, “but we aren’t going to pay for it anymore. Of course, please keep making it – but you’ll have to find another way to do it. Sell more t-shirts, get corporate sponsors, run ads on your music on YouTube – but don’t speak up too loudly or treat your music like a business – because you do it for the love of it, right?”

The reality is that we’ve reduced American culture to a system of arbitrary donations and pats on the head. That isn’t sustainable. Corporate and trust funded music will survive, but will its message represent the diversity of our culture? No. And resentment is building – a resentment that is quite clear with the level of anger generated by just one mid-level band publishing just one article about the difficulty of surviving in the music business.

Putain ententre les gens s'autoproclamer artistes, et decider de ce qu'est ou que doit etre la culture (et decider de fait qu'ils y participent), je trouve ça insupportable.