Sujet Synthés dans la variété internationale dans les années 70 et 80.
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Sacré Andrew
Martin Lee Gore (Composition of Sound, VCMG) :
"Les Bàr Korg KR-55 et Roland TR-808 ont de bonnes snares"
emx
1918
AFicionado·a
Membre depuis 20 ans
Citation :
Roland Chorus Echo (always broken) but the best thing on the planet - when it works - for putting chorus on a bass guitar. The Cure probably have twenty-seven of these (so we're not too bothered about ours not working).
Citation :
Roland TR808. In the early nineties, as acid house was developing a cult around this drum machine, it was suddenly very fashionable to riff along to TR808 sounds. We did that almost ten years earlier, when the cocktail drinking classes and the NME thought it was a bloody stupid idea. (One wet afternoon in the early eighties, we switched the Doktor to play the usual stuff but twice as fast. Hey presto! Drum'n'bass! This was interesting for about ten minutes. Even Cabaret Voltaire couldn't manage to make it interesting for much longer. Please don't tell us it's interesting now.)
Sacré Andrew
vilak
3960
Squatteur·euse d’AF
Membre depuis 7 ans
Citation de kosmix :
Ahahah les fans de TR-808 vont adorer : des sons pourris, pas de drift du sequencer, c'est à l'opposé de ce qu'ils pensent
Martin Lee Gore (Composition of Sound, VCMG) :
"Les Bàr Korg KR-55 et Roland TR-808 ont de bonnes snares"
vilak
3960
Squatteur·euse d’AF
Membre depuis 7 ans
Antony Freeman, roadie de JETHRO TULL, dévoile le matériel de la tournée européenne du groupe pour les numéros de Mars et d'avril 79 de "Sound International"
PA EQUIPMENT
Cadac 32 channel mixer
8 RCA W-bins (2x15in Gauss)
12 JBL 4560 bins (1x15in Gauss)
12 MEH/Clair bins (2x12in Gauss)
18 JBL mid radial horns
8 JBL LT horns
4 JBL lenses
12 high radial horns
6 boxes 4 JBL tweeters
2 boxes 3 JBL tweeters
24 Crown/Amcron DC300A power amps
2 Belden multicores
1 mains multicore
3 Revox A77 Strack tape machines
1 Gelf GX24 crossover
1 Urei crossover
1 Audio Design compressor/limiter
5 Shure SR 1072E equalisers
4 Aengus equalisers
1 Court Acoustics real time spectrum analyser
2 Court Acoustics/Klark Tekniks 27-band equalisers
1 'SAM' monitoring system display/readout unit
9 Surrey Electronics distribution amps
1 Stabiline power stabilising unit
Microphones:
4 Shure SM 56
17 Shure SM 57
4 Shure SM 58
1 Shure 565 SD
3 Shure Unidyne
11 Sennheiser MD421
35 mike stands
Monitors:
1 Gelf 16/6 monitor desk + power supply
1 Zoothorn 10/4 monitor desk + power supply
8 Crown/Amcron DC300A amps
1 Gelf multi-way stage box
2 WEM 2x12in cabs
3 MEH 2x12in Powercell wedges
2 MEH 2x12in Gauss wedges
1 Eventide 1745M digital delay
4 Binson Echorec-2 echo units
4 Belden stage multicores
------
STAGE EQUIPMENT
Lead guitar: Martin Barre
2 4 x 12" Marshall cabs
4 100watt Marshall amps (valve)
3 50watt Marshall amps (valve)
1 Marshall 50watt combo
2 Vox escort amps
1 MXR Phase 90
1 MXR Phase 100
1 MXR Flanger
1 Windsor-Two Marimba
1 Fylde Mandolin
2 Hamer guitars
Bass guitar: John Glascock
2 2 x 15" Marshall Powercell cabs
1 4 x 12" Marshall Powercell cab
4 Marshall 100watt bass amps (valve)
2 Marshall 50watt amps (valve)
1 Music Man Stingray Bass guitar
1 Fender Precision bass guitar
Miscellaneous equipment:
3 WEM Copicat echo units
3 Conn Strobotuners
1 4 x 12" Marshall Powercell cab (monitor)
2 4 x 12" Marshall cabs (monitors)
2 cases guitar strings
Ian Anderson:
3 Martin 'New Yorker' acoustic guitars
12 Artley flutes
Keyboards: John Evans
1 Gelf 10/2 mixer
2 Mini Moogs
1 ARP Odyssey
1 Yamaha CP70 electric piano
1 Hohner Verdi accordion
1 Wurlitzer electric piano
1 Hammond C3 organ
2 Leslie 122 cabinets
1 Yamaha CT3 tuning scope
Keyboards: David Palmer
1 Mander's portative pipe organ (***voir à la fin)
1 Roland SH2000
1 Roland RS 202
1 Roland Space Echo
1 Alice 4-channel mixer
1 Elka Rhapsody 610 piano
3 Shure mic mixers
2 AKG C451 mics (for pipe organ) + power packs
1 Voss saxophone
Drums: Barriemore Barlow
Ludwig blue Vistalite kit:
2 22" x 14" bass drums
1 18" x 16" floor tom
1 14" x 14" floor tom
1 13" x 9" rack tom
2 12" x 18" rack tom
1 10" x 6" rack tom
1 8" x 5½" rack tom
1 6" x 5½" rack tom
1 Ludwig 6½" x 14" Supraphone 400 snare drum
1 Ludwig 6½" x 14" Black Beauty snare drum
Paiste cymbals:
2 22" Ride 2002
4 18" Crash 2002
4 16" Crash 2002
4 14" Sound Edge 2002
1 11" Splash 2002
1 11" Crash 2002
1 7" Bell 2002
1 20" China 2002
1 15" Super 404
Zildjian Cymbals:
1 20" Ride
2 18" Medium Ride
2 18" Bright 118" Pang
1 7" Splash
Miscellaneous:
1 Paiste 32" gong
1 Paiste 26" gong
1 Premier Glockenspiel
1 Remo practice kit
31 Ludwig stands
(***)David's pipe organ, a splendid example of British craftsmanship though it was (made by Mander of London), turned out to be a temperamental and unforgiving device. It wasn't really meant for touring and was both heavy and fragile. Behind its Perspex windows lurked rows of metal pipes like those you see in a fairground organ. They had originally been tuned at a temperature of 60 degrees F in the workshop but were promptly subjected to extremes of hot and cold weather as soon as we hit the road, with the result that the wretched instrument was never in tune.
In England, at the start of the tour, the organ was playing flat because the weather was so cold. Its pipes had to be warmed up with a fan heater before each gig. It was eventually retuned by a man from Mander's before we left England, only to go horribly sharp two days later when it encountered temperatures of 70 F or more in Europe. Some of the venues were like ovens; during soundcheck at the Olympic stadium the temperature hit 82 degrees. So in Europe the pipe organ had to have its pipes cooled each afternoon by the fan heater blowing cold air at them. (A similar device was used to maintain the temperature in the tuning room each day.) During the recorded gig at Berne in Switzerland, 10 days later, we even had three cups of ice standing inside among the pipes in the hope of keeping it in tune. At one time the poor machine was almost a semitone sharp and was obviously feeling very unhappy about the whole business.
PA EQUIPMENT
Cadac 32 channel mixer
8 RCA W-bins (2x15in Gauss)
12 JBL 4560 bins (1x15in Gauss)
12 MEH/Clair bins (2x12in Gauss)
18 JBL mid radial horns
8 JBL LT horns
4 JBL lenses
12 high radial horns
6 boxes 4 JBL tweeters
2 boxes 3 JBL tweeters
24 Crown/Amcron DC300A power amps
2 Belden multicores
1 mains multicore
3 Revox A77 Strack tape machines
1 Gelf GX24 crossover
1 Urei crossover
1 Audio Design compressor/limiter
5 Shure SR 1072E equalisers
4 Aengus equalisers
1 Court Acoustics real time spectrum analyser
2 Court Acoustics/Klark Tekniks 27-band equalisers
1 'SAM' monitoring system display/readout unit
9 Surrey Electronics distribution amps
1 Stabiline power stabilising unit
Microphones:
4 Shure SM 56
17 Shure SM 57
4 Shure SM 58
1 Shure 565 SD
3 Shure Unidyne
11 Sennheiser MD421
35 mike stands
Monitors:
1 Gelf 16/6 monitor desk + power supply
1 Zoothorn 10/4 monitor desk + power supply
8 Crown/Amcron DC300A amps
1 Gelf multi-way stage box
2 WEM 2x12in cabs
3 MEH 2x12in Powercell wedges
2 MEH 2x12in Gauss wedges
1 Eventide 1745M digital delay
4 Binson Echorec-2 echo units
4 Belden stage multicores
------
STAGE EQUIPMENT
Lead guitar: Martin Barre
2 4 x 12" Marshall cabs
4 100watt Marshall amps (valve)
3 50watt Marshall amps (valve)
1 Marshall 50watt combo
2 Vox escort amps
1 MXR Phase 90
1 MXR Phase 100
1 MXR Flanger
1 Windsor-Two Marimba
1 Fylde Mandolin
2 Hamer guitars
Bass guitar: John Glascock
2 2 x 15" Marshall Powercell cabs
1 4 x 12" Marshall Powercell cab
4 Marshall 100watt bass amps (valve)
2 Marshall 50watt amps (valve)
1 Music Man Stingray Bass guitar
1 Fender Precision bass guitar
Miscellaneous equipment:
3 WEM Copicat echo units
3 Conn Strobotuners
1 4 x 12" Marshall Powercell cab (monitor)
2 4 x 12" Marshall cabs (monitors)
2 cases guitar strings
Ian Anderson:
3 Martin 'New Yorker' acoustic guitars
12 Artley flutes
Keyboards: John Evans
1 Gelf 10/2 mixer
2 Mini Moogs
1 ARP Odyssey
1 Yamaha CP70 electric piano
1 Hohner Verdi accordion
1 Wurlitzer electric piano
1 Hammond C3 organ
2 Leslie 122 cabinets
1 Yamaha CT3 tuning scope
Keyboards: David Palmer
1 Mander's portative pipe organ (***voir à la fin)
1 Roland SH2000
1 Roland RS 202
1 Roland Space Echo
1 Alice 4-channel mixer
1 Elka Rhapsody 610 piano
3 Shure mic mixers
2 AKG C451 mics (for pipe organ) + power packs
1 Voss saxophone
Drums: Barriemore Barlow
Ludwig blue Vistalite kit:
2 22" x 14" bass drums
1 18" x 16" floor tom
1 14" x 14" floor tom
1 13" x 9" rack tom
2 12" x 18" rack tom
1 10" x 6" rack tom
1 8" x 5½" rack tom
1 6" x 5½" rack tom
1 Ludwig 6½" x 14" Supraphone 400 snare drum
1 Ludwig 6½" x 14" Black Beauty snare drum
Paiste cymbals:
2 22" Ride 2002
4 18" Crash 2002
4 16" Crash 2002
4 14" Sound Edge 2002
1 11" Splash 2002
1 11" Crash 2002
1 7" Bell 2002
1 20" China 2002
1 15" Super 404
Zildjian Cymbals:
1 20" Ride
2 18" Medium Ride
2 18" Bright 118" Pang
1 7" Splash
Miscellaneous:
1 Paiste 32" gong
1 Paiste 26" gong
1 Premier Glockenspiel
1 Remo practice kit
31 Ludwig stands
(***)David's pipe organ, a splendid example of British craftsmanship though it was (made by Mander of London), turned out to be a temperamental and unforgiving device. It wasn't really meant for touring and was both heavy and fragile. Behind its Perspex windows lurked rows of metal pipes like those you see in a fairground organ. They had originally been tuned at a temperature of 60 degrees F in the workshop but were promptly subjected to extremes of hot and cold weather as soon as we hit the road, with the result that the wretched instrument was never in tune.
In England, at the start of the tour, the organ was playing flat because the weather was so cold. Its pipes had to be warmed up with a fan heater before each gig. It was eventually retuned by a man from Mander's before we left England, only to go horribly sharp two days later when it encountered temperatures of 70 F or more in Europe. Some of the venues were like ovens; during soundcheck at the Olympic stadium the temperature hit 82 degrees. So in Europe the pipe organ had to have its pipes cooled each afternoon by the fan heater blowing cold air at them. (A similar device was used to maintain the temperature in the tuning room each day.) During the recorded gig at Berne in Switzerland, 10 days later, we even had three cups of ice standing inside among the pipes in the hope of keeping it in tune. At one time the poor machine was almost a semitone sharp and was obviously feeling very unhappy about the whole business.
kosmix
46143
Ma vie est un thread...
Membre depuis 19 ans
Ahahah 12 flûtes pour Ian Anderson. Bon c'est vrai que ça prend pas trop de place
L'orgue à tuyaux : bon c'était pas une bonne idée
L'orgue à tuyaux : bon c'était pas une bonne idée
Putain Walter mais qu'est-ce que le Vietnam vient foutre là-dedans ?
erewhon
18224
Drogué·e à l’AFéine
Membre depuis 19 ans
vilak
3960
Squatteur·euse d’AF
Membre depuis 7 ans
kosmix
46143
Ma vie est un thread...
Membre depuis 19 ans
JayBignoise
963
Posteur·euse AFfolé·e
Membre depuis 9 ans
vilak
3960
Squatteur·euse d’AF
Membre depuis 7 ans
erewhon
18224
Drogué·e à l’AFéine
Membre depuis 19 ans
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