Synthés dans la variété internationale dans les années 70 et 80.

Pour le premier album de DM ils ont réussis à "trigger" la Korg Kr-55 avec un séquenceur ARP qui pilotait un ARP 2600 d'où un rythme mi KR-55/mi-noise du 2600 :

"The KR-55 has a trigger out that can be set to 16th notes or 8th notes or the bass drum. In practice I think they generally used the 16th note trigger to drive an ARP 1613 sequencer that triggered an Arp 2600 for the bass drum. So the KR-55's bass drum was replaced with a different sound that could be programmed. Various other rhythmic noise sounds are probably made the same way."

&

"I SPOKE TO VINCE CLARKE A COUPLE OF YEARS AGO AND HE TOLD ME THE DRUM MACHINE USED ON Speak and Spell WAS A Korg KR55 PRESET MACHINE .THE BAND USED JUST THE SNARE AND HIGH HATS SOUNDS FROM. THE BASS DRUM WAS GENERATED FROM AN Arp 2600 SYNTH WHICH WAS SYNCHED TO THE MACHINE AND AN OLD ROLAND MC4 MICROCOMPOSER SEQUENCER. SO THERE THE ANSWER IS!THE SAME MACHINE WAS USED ON MOST OF THE EARLY DANIEL MILLER PRODUCED TRACKS INCLUDING THE FAD GADGET STUFF LIKE 'RICKYS HAND AND THE FABULOUS MEMORABILIA BY SOFT CELL!! PS .BOBBY ORLANDO ALSO USED ONE ON THOSE FANTASTIC TRASHY NY DISCO RECORDS BY DIVINE AND THE FLIRTS (PASSION ' NATIVE LOVE SHAKE IT UP ETC..)"

désolé pour les majuscules, c'était ainsi à l'origine.

Ok, très interessant.

Sinon, t’étais en manque , hein