Le grand frére du JD-Xi ???
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Courtman
303
Posteur·euse AFfamé·e
Membre depuis 14 ans
Sujet de la discussion Posté le 22/01/2015 à 19:02:23Le grand frére du JD-Xi ???
Une vidéo mais pas de démo ou de son pour le moment !!!!
https://soundcloud.com/courtman-1
amanyth
245
Posteur·euse AFfiné·e
Membre depuis 20 ans
151 Posté le 10/04/2015 à 17:31:22
korvan
3319
Squatteur·euse d’AF
Membre depuis 18 ans
152 Posté le 10/04/2015 à 18:46:27
Moins cher qu'un Pro 2 monophonique...
Plaisir d'offrir, joie de recevoir.
bolton
1654
AFicionado·a
Membre depuis 9 ans
153 Posté le 10/04/2015 à 22:19:07
Prometteur le System-1M, mais on peut pas avoir une photo sans flash ?
Vive les BPM !
geronimo33
1710
AFicionado·a
Membre depuis 18 ans
154 Posté le 10/04/2015 à 22:23:59
bolton
1654
AFicionado·a
Membre depuis 9 ans
155 Posté le 12/04/2015 à 22:26:44
Voilà les spécifications :
Analog Engine
Each of the JD-XA's four analog parts has two oscillators, along with filter and amp sections and four envelopes all with incredibly fast attack and response times. You also get two LFOs, with super-smooth coverage from ultra-slow to ultra-fast. Start by creating your sound from scratch, or configure the JD-XA as an eight-oscillator, pure analog version of the legendary Supersaw waveform. Additionally you can invoke the power of Poly Stack mode for warm, organic four-note chords that will sweep you away. Once you've got that killer analog sound, you can route it directly to the analog dry output or send it to the on board digital effects for further experiments in the art of sound design.
Digital Engine
The JD-XA doesn't just do classic analog it's also equipped with a completely separate four-part, 64-voice digital sound engine powered by Roland's acclaimed SuperNATURAL synthesizer technology. This lets you play some of the most expressive and natural sounds available anywhere, as the JD-XA is compatible with the synth engine from the INTEGRA-7 sound module, a firm favourite of top producers, composers, and sound designers. And if you need some extra inspiration, visit Roland's online Axial community and download the latest creations from high-end programmers to tap into great sounds for a wide variety of genres.
Analog and Digital Crossover
With its distinctive crossover design, the JD-XA is very unique in its approach to synthesis. Not only can blend the engines together, but you can also use them completely independently, truly giving you two synths in one. Additionally, the analog and digital engines are able to interact in many creative ways. For example, digital sounds can be routed through the analog filters, or used as modulation sources for the Cross Mod and Ring Mod functions in the analog section. If you've got big ideas when it comes to sound design, you need a powerful and flexible synth, and the JD-XA really delivers.
Powerful & Versatile Effects
When it comes to effects, the JD-XA is well equipped to handle any sound shaping you want to apply. Each analog and digital section is equipped with a powerful and versatile MFX processor that offers 67 different effect types, including high-impact processing options like Bit Crusher. The essentials are also covered via the five system effects processors, which provide reverb, delay, and master EQ plus two TFX processors with 29 effect types each.
16-Track Pattern Sequencer & Real-Time / Step Recording
To get your creativity flowing, the JD-XA has a comprehensive 16-track pattern sequencer with 8 tracks for internal parts and 8 tracks for external sources, allowing you to build sequences and loops quickly and intuitively. Use real-time recording mode to lay down parts in a familiar linear fashion, or step recording mode to create in the old-school pattern style. However you like to work, this sequencer is designed to keep you connected to your music.
Flexible Routing and Connectivity
Providing unprecedented routing options thanks to a flexible system the JD-XA lets you route a single mod source to four destinations. In addition, you're able to control external modules or DAW plug-ins via MIDI, USB, and CV/GATE, making this a synth that can sit at the heart of any live or studio setup. If you can imagine it, you can probably do it on the JD-XA.
Mic-Controlled Modulation
The JD-XA's mic input brings an extra dimension to your music. For starters, you can use the mic as a modulation source, controlling filter cut-off, Cross Mod, or other parameters with your voice. Alternatively, you can dial up Vocoder tones, or simply add some pro-grade vocal reverb via the mic's dedicated reverb processor.
Features
Advanced synthesizer with independent analog and digital sound engines
Discrete analog synth engine (four parts) with 2 x OSC, Filter, Amp, 4 x Env (2 x Pitch, Filter, Amp), and 2 x LFO per voice plus Analog Dry Out for raw signal output
Analog filter section features 4-Pole, transistor-ladder, and multi-mode (LPF/HPF/BPF) filters with supremely smooth, natural response
OSC section includes Cross Mod, Ring Mod, and OSC Sync, all of which can be used simultaneously
LFO rate covers a wide range from ultra-slow to ultra-fast
Incredibly fast attack envelope time
Separate digital section built around SuperNATURAL synth engine (four parts, 64 voices) that's compatible with INTEGRA-7 sound libraries
Digital parts can be routed through the analog filter section for warm, organic results
Comprehensive effects with MFX for all parts plus five system effects (Reverb, TFX1, TFX2, Delay, and Master EQ)
Flexible routing options for highly creative sound design
Intuitive 16-track pattern sequencer (8 tracks for internal parts, 8 tracks for external parts) for fast creation of songs and loops
Onboard USB, MIDI, and CV/GATE interfaces plus flexible MIDI control functionality
Mic input allows you to modulate synth sounds with your voice and explore classic Vocoder functionality
Plenty of backlit knobs, sliders, and controllers for hands-on sound shaping
Specifications
Sound Engines: Analog, Digital
Number Of Keys: 49
Key Action: Velocity Sensitive (Aftertouch)
Inputs: 1 x XLR (Microphone), 1 x MIDI In
Outputs: 2 x Master Out, 1 x Headphones, 1 x Analog Dry, 1 x Click, 2 x Gate Out, 2 x CV Out, 1 x MIDI Out
Additional Connections: 3 x Foot Pedal, 1 x USB (Computer), 1 x USB (Memory)
Analog Oscillators: 2
Analog Filters: 2
Analog Amps: 2
Analog Envelopes: 4
Analog LFO (Per Voice): 2
System Effects: Reverb, TFX1, TFX2, Delay, Master EQ
Sequencer: 16-Track
Analog Engine
Each of the JD-XA's four analog parts has two oscillators, along with filter and amp sections and four envelopes all with incredibly fast attack and response times. You also get two LFOs, with super-smooth coverage from ultra-slow to ultra-fast. Start by creating your sound from scratch, or configure the JD-XA as an eight-oscillator, pure analog version of the legendary Supersaw waveform. Additionally you can invoke the power of Poly Stack mode for warm, organic four-note chords that will sweep you away. Once you've got that killer analog sound, you can route it directly to the analog dry output or send it to the on board digital effects for further experiments in the art of sound design.
Digital Engine
The JD-XA doesn't just do classic analog it's also equipped with a completely separate four-part, 64-voice digital sound engine powered by Roland's acclaimed SuperNATURAL synthesizer technology. This lets you play some of the most expressive and natural sounds available anywhere, as the JD-XA is compatible with the synth engine from the INTEGRA-7 sound module, a firm favourite of top producers, composers, and sound designers. And if you need some extra inspiration, visit Roland's online Axial community and download the latest creations from high-end programmers to tap into great sounds for a wide variety of genres.
Analog and Digital Crossover
With its distinctive crossover design, the JD-XA is very unique in its approach to synthesis. Not only can blend the engines together, but you can also use them completely independently, truly giving you two synths in one. Additionally, the analog and digital engines are able to interact in many creative ways. For example, digital sounds can be routed through the analog filters, or used as modulation sources for the Cross Mod and Ring Mod functions in the analog section. If you've got big ideas when it comes to sound design, you need a powerful and flexible synth, and the JD-XA really delivers.
Powerful & Versatile Effects
When it comes to effects, the JD-XA is well equipped to handle any sound shaping you want to apply. Each analog and digital section is equipped with a powerful and versatile MFX processor that offers 67 different effect types, including high-impact processing options like Bit Crusher. The essentials are also covered via the five system effects processors, which provide reverb, delay, and master EQ plus two TFX processors with 29 effect types each.
16-Track Pattern Sequencer & Real-Time / Step Recording
To get your creativity flowing, the JD-XA has a comprehensive 16-track pattern sequencer with 8 tracks for internal parts and 8 tracks for external sources, allowing you to build sequences and loops quickly and intuitively. Use real-time recording mode to lay down parts in a familiar linear fashion, or step recording mode to create in the old-school pattern style. However you like to work, this sequencer is designed to keep you connected to your music.
Flexible Routing and Connectivity
Providing unprecedented routing options thanks to a flexible system the JD-XA lets you route a single mod source to four destinations. In addition, you're able to control external modules or DAW plug-ins via MIDI, USB, and CV/GATE, making this a synth that can sit at the heart of any live or studio setup. If you can imagine it, you can probably do it on the JD-XA.
Mic-Controlled Modulation
The JD-XA's mic input brings an extra dimension to your music. For starters, you can use the mic as a modulation source, controlling filter cut-off, Cross Mod, or other parameters with your voice. Alternatively, you can dial up Vocoder tones, or simply add some pro-grade vocal reverb via the mic's dedicated reverb processor.
Features
Advanced synthesizer with independent analog and digital sound engines
Discrete analog synth engine (four parts) with 2 x OSC, Filter, Amp, 4 x Env (2 x Pitch, Filter, Amp), and 2 x LFO per voice plus Analog Dry Out for raw signal output
Analog filter section features 4-Pole, transistor-ladder, and multi-mode (LPF/HPF/BPF) filters with supremely smooth, natural response
OSC section includes Cross Mod, Ring Mod, and OSC Sync, all of which can be used simultaneously
LFO rate covers a wide range from ultra-slow to ultra-fast
Incredibly fast attack envelope time
Separate digital section built around SuperNATURAL synth engine (four parts, 64 voices) that's compatible with INTEGRA-7 sound libraries
Digital parts can be routed through the analog filter section for warm, organic results
Comprehensive effects with MFX for all parts plus five system effects (Reverb, TFX1, TFX2, Delay, and Master EQ)
Flexible routing options for highly creative sound design
Intuitive 16-track pattern sequencer (8 tracks for internal parts, 8 tracks for external parts) for fast creation of songs and loops
Onboard USB, MIDI, and CV/GATE interfaces plus flexible MIDI control functionality
Mic input allows you to modulate synth sounds with your voice and explore classic Vocoder functionality
Plenty of backlit knobs, sliders, and controllers for hands-on sound shaping
Specifications
Sound Engines: Analog, Digital
Number Of Keys: 49
Key Action: Velocity Sensitive (Aftertouch)
Inputs: 1 x XLR (Microphone), 1 x MIDI In
Outputs: 2 x Master Out, 1 x Headphones, 1 x Analog Dry, 1 x Click, 2 x Gate Out, 2 x CV Out, 1 x MIDI Out
Additional Connections: 3 x Foot Pedal, 1 x USB (Computer), 1 x USB (Memory)
Analog Oscillators: 2
Analog Filters: 2
Analog Amps: 2
Analog Envelopes: 4
Analog LFO (Per Voice): 2
System Effects: Reverb, TFX1, TFX2, Delay, Master EQ
Sequencer: 16-Track
Vive les BPM !
dédé la joncaille
1460
AFicionado·a
Membre depuis 11 ans
156 Posté le 12/04/2015 à 22:47:06
Un poly analo à 4 voix et la section numérique qui peut passer dans le filtre analo, mais tout cela est pas mal du tout... Mince alors, je ne vais plus pouvoir faire du Roland bashing s'ils (re)commencent à devenir bons...
pico
5689
Je poste, donc je suis
Membre depuis 21 ans
157 Posté le 13/04/2015 à 07:57:39
ma foi, mise à part le design que je trouve affreux (avis perso), les caractéristiques techniques donnent envie
Leicam
113
Posteur·euse AFfiné·e
Membre depuis 13 ans
158 Posté le 15/04/2015 à 09:23:48
Anonyme
30
159 Posté le 15/04/2015 à 21:09:48
Salut à tous
Perso je ne comprends pas Roland : une polyphonie si petite de 4 voix pour la partie analo. Basse + accord en analo avec 4 voix et bien on s'en contentera. Super !
Le numérique derrière, a bon dos. En 1981 on a eu du 8 voix. Non mais je crois rêver... en 2015 on nous offre 4 voix !
OU alors faut m'expliquer. En analo avec 4 voix on va où et en multitimbralités avec 4 voix en mode dual : c'est fantastique ???
Pour les claviéristes j'ai un gros doute.
c'est mal parti. j'espère avoir tout faux. Mais bon. 4 voix restent 4 voix ANALO
Perso je ne comprends pas Roland : une polyphonie si petite de 4 voix pour la partie analo. Basse + accord en analo avec 4 voix et bien on s'en contentera. Super !
Le numérique derrière, a bon dos. En 1981 on a eu du 8 voix. Non mais je crois rêver... en 2015 on nous offre 4 voix !
OU alors faut m'expliquer. En analo avec 4 voix on va où et en multitimbralités avec 4 voix en mode dual : c'est fantastique ???
Pour les claviéristes j'ai un gros doute.
c'est mal parti. j'espère avoir tout faux. Mais bon. 4 voix restent 4 voix ANALO
coyote14
15772
Modérateur·trice thématique
Membre depuis 20 ans
160 Posté le 15/04/2015 à 21:18:41
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