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Le grand frére du JD-Xi ???

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Sujet de la discussion Le grand frére du JD-Xi ???

Une vidéo mais pas de démo ou de son pour le moment !!!!

https://soundcloud.com/courtman-1

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151
152
Moins cher qu'un Pro 2 monophonique... :diable:

Plaisir d'offrir, joie de recevoir.

153
Prometteur le System-1M, mais on peut pas avoir une photo sans flash ? icon_facepalm.gif

Vive les BPM !

154
Euh baxshop , c est pas du style a balancé des dispos et un prix à l arrache avant tout le monde pour faire le plein de précommande?
Perso j ai entendu parler de 2500, voir 3000 euros pour le XA mais si c est moins...tant mieux.
En tout cas, y a du cv Gate et sequenceur 16 pistes apparement.
155
Voilà les spécifications :

Analog Engine

Each of the JD-XA's four analog parts has two oscillators, along with filter and amp sections and four envelopes all with incredibly fast attack and response times. You also get two LFOs, with super-smooth coverage from ultra-slow to ultra-fast. Start by creating your sound from scratch, or configure the JD-XA as an eight-oscillator, pure analog version of the legendary Supersaw waveform. Additionally you can invoke the power of Poly Stack mode for warm, organic four-note chords that will sweep you away. Once you've got that killer analog sound, you can route it directly to the analog dry output or send it to the on board digital effects for further experiments in the art of sound design.

Digital Engine

The JD-XA doesn't just do classic analog it's also equipped with a completely separate four-part, 64-voice digital sound engine powered by Roland's acclaimed SuperNATURAL synthesizer technology. This lets you play some of the most expressive and natural sounds available anywhere, as the JD-XA is compatible with the synth engine from the INTEGRA-7 sound module, a firm favourite of top producers, composers, and sound designers. And if you need some extra inspiration, visit Roland's online Axial community and download the latest creations from high-end programmers to tap into great sounds for a wide variety of genres.

Analog and Digital Crossover

With its distinctive crossover design, the JD-XA is very unique in its approach to synthesis. Not only can blend the engines together, but you can also use them completely independently, truly giving you two synths in one. Additionally, the analog and digital engines are able to interact in many creative ways. For example, digital sounds can be routed through the analog filters, or used as modulation sources for the Cross Mod and Ring Mod functions in the analog section. If you've got big ideas when it comes to sound design, you need a powerful and flexible synth, and the JD-XA really delivers.

Powerful & Versatile Effects

When it comes to effects, the JD-XA is well equipped to handle any sound shaping you want to apply. Each analog and digital section is equipped with a powerful and versatile MFX processor that offers 67 different effect types, including high-impact processing options like Bit Crusher. The essentials are also covered via the five system effects processors, which provide reverb, delay, and master EQ plus two TFX processors with 29 effect types each.

16-Track Pattern Sequencer & Real-Time / Step Recording

To get your creativity flowing, the JD-XA has a comprehensive 16-track pattern sequencer with 8 tracks for internal parts and 8 tracks for external sources, allowing you to build sequences and loops quickly and intuitively. Use real-time recording mode to lay down parts in a familiar linear fashion, or step recording mode to create in the old-school pattern style. However you like to work, this sequencer is designed to keep you connected to your music.

Flexible Routing and Connectivity

Providing unprecedented routing options thanks to a flexible system the JD-XA lets you route a single mod source to four destinations. In addition, you're able to control external modules or DAW plug-ins via MIDI, USB, and CV/GATE, making this a synth that can sit at the heart of any live or studio setup. If you can imagine it, you can probably do it on the JD-XA.

Mic-Controlled Modulation

The JD-XA's mic input brings an extra dimension to your music. For starters, you can use the mic as a modulation source, controlling filter cut-off, Cross Mod, or other parameters with your voice. Alternatively, you can dial up Vocoder tones, or simply add some pro-grade vocal reverb via the mic's dedicated reverb processor.


Features

Advanced synthesizer with independent analog and digital sound engines
Discrete analog synth engine (four parts) with 2 x OSC, Filter, Amp, 4 x Env (2 x Pitch, Filter, Amp), and 2 x LFO per voice plus Analog Dry Out for raw signal output
Analog filter section features 4-Pole, transistor-ladder, and multi-mode (LPF/HPF/BPF) filters with supremely smooth, natural response
OSC section includes Cross Mod, Ring Mod, and OSC Sync, all of which can be used simultaneously
LFO rate covers a wide range from ultra-slow to ultra-fast
Incredibly fast attack envelope time
Separate digital section built around SuperNATURAL synth engine (four parts, 64 voices) that's compatible with INTEGRA-7 sound libraries
Digital parts can be routed through the analog filter section for warm, organic results
Comprehensive effects with MFX for all parts plus five system effects (Reverb, TFX1, TFX2, Delay, and Master EQ)
Flexible routing options for highly creative sound design
Intuitive 16-track pattern sequencer (8 tracks for internal parts, 8 tracks for external parts) for fast creation of songs and loops
Onboard USB, MIDI, and CV/GATE interfaces plus flexible MIDI control functionality
Mic input allows you to modulate synth sounds with your voice and explore classic Vocoder functionality
Plenty of backlit knobs, sliders, and controllers for hands-on sound shaping
Specifications

Sound Engines: Analog, Digital
Number Of Keys: 49
Key Action: Velocity Sensitive (Aftertouch)
Inputs: 1 x XLR (Microphone), 1 x MIDI In
Outputs: 2 x Master Out, 1 x Headphones, 1 x Analog Dry, 1 x Click, 2 x Gate Out, 2 x CV Out, 1 x MIDI Out
Additional Connections: 3 x Foot Pedal, 1 x USB (Computer), 1 x USB (Memory)
Analog Oscillators: 2
Analog Filters: 2
Analog Amps: 2
Analog Envelopes: 4
Analog LFO (Per Voice): 2
System Effects: Reverb, TFX1, TFX2, Delay, Master EQ
Sequencer: 16-Track

Vive les BPM !

156
Un poly analo à 4 voix et la section numérique qui peut passer dans le filtre analo, mais tout cela est pas mal du tout... Mince alors, je ne vais plus pouvoir faire du Roland bashing s'ils (re)commencent à devenir bons... :mdr:
157
ma foi, mise à part le design que je trouve affreux (avis perso), les caractéristiques techniques donnent envie :bravo:
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159
Salut à tous

Perso je ne comprends pas Roland : une polyphonie si petite de 4 voix pour la partie analo. Basse + accord en analo avec 4 voix et bien on s'en contentera. Super !

Le numérique derrière, a bon dos. En 1981 on a eu du 8 voix. Non mais je crois rêver... en 2015 on nous offre 4 voix !

OU alors faut m'expliquer. En analo avec 4 voix on va où et en multitimbralités avec 4 voix en mode dual : c'est fantastique ???

Pour les claviéristes j'ai un gros doute.
c'est mal parti. j'espère avoir tout faux. Mais bon. 4 voix restent 4 voix ANALO
160
Bah il y a plein de bécanes analos à 4 voix: Mopho X4, Analog 4...Pas de mauvaises bécanes. Dans les récents, à part le Prophet 08 et le futur Prophet 6, je voix pas trop de synthés analogiques qui en ont plus?